A journey with The Marigold School of Early Learning

A Journey Through Dialogue

S-Cat sounds, crawls on all fours. “Meow.”

A – “Barky”.

Both are engaged in animal play. S takes on the role of a cat, while A takes on the role of a dog.

S, “Are you nice to cats or no?”

A, “I’m a nice doggy.”

S, “Cats eat fish.”

A, “Okay.”

S dumps toy food, and A gives her a fish.

A, “Messy kitty, help me clean this up”

A, “This doggy is a fishy cooker! Bark, bark!”

S, “These are only cat friends.” The stuffies.

A, “I’m cooking.”

S, “I’m meow at cut fish finds. Now, can you cook me one?” (Not too sure what S was trying to say here.)

A, “Ah, oh-uh. Candy.”

S, “Cats don’t eat candy.”

A, “This is for cat food.”

S, “I need it in bowls so cats can eat it.”

A, “Yeah, but I am recipe.”

S, “This cat eats cheese and bananas. So I’m putting it in there to make it really yummy. A, Is that okay?”

A, “Yeah,” Ms. H asked A a question to clarify for S.

A, “It’s for hard days.”

S and A interact with each other, come together, separate for a while engaging in their own projects, then return together.

S wags her tail and meows.

A, “I’m still busy making food.”

S tries to explain, but doesn’t make sense due to using kitty vocabulary.

A, “This for so many guests. I’m still making it.”

S, “Yeah, but I want you to make fish food for all my babies and me.”

A, “I’m making fish food for you and the babies.”

S appeared to not listen or understand A’s words and started to argue, but it fizzled. Ms. H explained A’s previous words to help S understand that A is making cat food for her babies and her.

S wants Ms. H to notice her cat dance.

A, “Hey, you designed these toys so they don’t break. I think you glued them on. Something like that.” She holds a soup ladle. A is directing her thought to me, Ms. H.

A, “Your soup is done, kitty!”

S, “Meow.” A hands her a large sink full of soup. (The toy kitchen sink!)

A, “There you go, kitty, for your kittens. Here, let me help you move it. It’s for your babies.”

S, “Cats don’t like cats.”

They meow-hiss and bark at an ant crawling on the floor. (A & S)

A, “Well, my dog Bubba stepped on an ant. And he got really mad at his owner and scared E, because his paw got wet when they washed it.” (A recounting of a memory with her dog and her dad.)

S sings, “Meow-Woof!”

A and S look at the baby ant on the floor!

S, “Ant friend! Then we were in an ant family!”

A,”Let’s do a race!” Ms. H suggests sitting on pillows so they slide better.

A, “Hey, S! Wait for me!”

S, “Meow’s” ten times.

A, “Woofs” ten times.

Let’s explore the complexities of the scenario from above. The first aspect of this dialogue happens when S initiates play with A. The second aspect arises when S and A assume animal roles, such as S playing the role of a cat and A playing the role of a dog. S takes on an extra role, being a cat mother with kittens, while A takes on the role of a cook, making food for the momma cat and her kittens.

As both S and A figure out how to create this story together while staying in character, they each carve out the specific responsibilities they want to take on for their story. S wants to be a mother cat with kittens, and A wants to cook for the cat. While figuring out these separate yet interwoven roles, there is a bit of confusion on feeding and when, but with continued communication between meowing and barking sounds, S and A figure it out.

An interesting second aspect is that S asks A if she is a nice doggy. This is a good question to establish at the beginning of this dramatic story, because it determines the proceeding storyline. Asking this question also clarifies each child’s role a bit more at the start.

The dialogue shows their thinking in progress! While S and A are engaged in developing this dramatic story together, they are still maintaining some form of control and separate responsibilities. S is responsible for being a mother cat and taking care of her babies, while A is responsible for cooking food for them to eat. These separate responsibilities enable both S and A to divert their attention from one another to focus on interests they choose while still keeping their storyline in the background. When A discusses how she thinks I have made the toys non-breakable with glue, she is clearly taking some time to voice a divergence from the main story. (I have not glued any of the toys A is using.) When S starts meowing and not talking, she is clearly taking a break from communicating and acting out her joy of being a cat. These are moments that are brief but allow for each child to continue processing ideas for their co-storyline. When they returned their attention to the story, some confusion came into play, and I chose to assist.

A’s mind once again takes a divergence when she recalls a family dog memory and relates it to both her and S finding an ant crawling on the floor. Like all people, young children see things that spark memories, and they voice them. A was still focused on the dramatic story, yet she wanted to share her memory, and it related to both the ant she was watching and the dog role she was acting out.

Is this a form of complex play, and does this prove meta-cognition? Yes, the above dramatic play story is a form of complex play, specifically cooperative play. Both A and S have equal roles and equal responsibilities as they contribute to the storyline.

I would say, yes, this is an example of metacognition happening in the early years, at age four to be precise. The reason I say this is that both children actively engage in communication while acting like animals and taking on extra roles within that framework. S is a cat, yet she is a momma cat with lots of kittens to take care of. She is actively seeking a place for them to be safe, and what and how to feed them. A is in the role of a dog, yet she is also a chef making food. The extra responsibility she took on as a chef is making food for the momma cat and her kittens. Through the communication and role play process, both A and S have listened, compromised, negotiated, come up with solutions, and most importantly, modified their communication technique and accommodated the other child. Both A and S were aware of what they were communicating and only had trouble one time with listening to each other. When both were actively listening and expressing their ideas and opinions, they demonstrated their ability to rethink and reexplain their intentions for the dramatic story many times. The children were aware of their own thinking and modified how they interacted with each other, not just based on what the other child wanted, but how they believed they could best achieve their goals for the story. A and S also gravitate towards what they enjoy best and what they know how to do. Being aware of the things they each do well is part of metacognition, understanding their weaknesses and strengths. In this case, both children rely on their strengths, and that makes this cooperative venture so successful.

Now,is this a perfect example of metacognition? No, it is not, but preschool children are capable of cognitive abilities normally only given credit to children seven and up. Please keep in mind that I am their teacher, and I also know my students well, and may see things that someone reading about this encounter for the first time, and knowing nothing of the children, may not agree with my perspective. I am at an advantage, yet I hope I am conveying how complex and important young children’s play is to their learning and development. And that “play” is not just a word; it is a term that encompasses many aspects of complex learning.

When to assist? This is not always an easy decision. Yet, while observing, listening to S and A, and asking questions to understand their dramatic story, I was able to determine when my assistance, and the key word here is ‘may,’ help with some minor misunderstandings. After clarifying by repeating what A said, S was able to move forward in the story, feeling as though her story idea was being respected.

Should I interrupt their story to prevent a conflict? Preventing a conflict also interrupts social and emotional learning. In this scenario, my preventing a misunderstanding from turning into a conflict was simply to keep their story moving. If both S and A persisted with more dialogue similar to arguing, it would mean that both children have strong opinions, want to be heard, and equally want to figure out how to accommodate each other. This is complex learning, which I have no right to interrupt. Yet, I am there to make sure both S and A are being respectful to each other through not just words, but physically. In no way do I want to allow this deeper learning to turn violent and defeat the purpose of all they have accomplished together.

Is this cooperative or group play? Can these two forms of play exist for two children? And what are the similarities and differences between the two forms?

Before I answer the first part of this question, I want to address the third part: the similarities and differences between cooperative and group play. Cooperative play is when young children work together by discussing, listening, sharing diverse ideas, working through disagreements, problem-solving, negotiating, and finally compromising. This type of socialization promotes deeper learning, respects each child’s autonomy, their right to learn, and recognizes the complexity in working with others.

Moving on to Group play. Group play is where children are working on the same project or dramatic story, yet they are not necessarily contributing equally. There can be a chosen leader of the group, and all other members have varying degrees of ownership and responsibilities in the group. This form of play is important for children just as cooperative play, yet it focuses on the differing roles children will take, with there being, normally, a chosen and agreed-upon leader of the group directing play. And each child’s participation in the group ranges from minor to major contributions.

To answer the second and then first part of the question above, yes, these two forms of social play can happen with just two children present in class, or two children who have separated themselves from the larger group. The essence of group play happens frequently with A and S. It will start out with S and A playing near each other, yet separately. Both children are interested in what the other is engaged in, so they keep their ears perked to what each is doing. Then S and A will quickly move to group play, where S or A interacts with each other on the same storyline, yet with different roles and responsibilities. Generally, the one with the dramatic play idea will take the lead, but not always. If this form of play is cooperative play, both children will have equal say in each aspect of their dramatic story. If this is group play, each child will have a different role and level of responsibility in contributing to the dramatic story.

Stay tuned for more blog posts that take a closer look at children’s dialogue and the meaning behind it. Please let me know your thoughts. And, thank you for stopping by! :) Ms. Heidi

Preschools The Marigold School of Early Learning (Marigold)

September Nature Blog! 2025

A journey with The Marigold School of Early Learning

September 2025 Blog! #4

Part #4 “Fine motor skills/ development in the early yearsseries.

See parts 1,2 & 3

A journey with The Marigold School of Early Learning

September 2025 Blog! #3

Lacing cards (see part #1) no doubt help young children support the healthy growth and development of fine motor muscles. It is also a good way to see where a child is on that developmental pathway. When young children lack advancement in their fine motor muscles, they lack the ability to control the needle and thread to twist, turn, lengthen, and shorten the thread to complete the picture as is. The intent for where the thread is aimed, the length of the thread before entering another hole, and how the string is crossed show how much growth and experience are needed in this area, or what is not needed. Wherever a child is on their fine motor skills developmental pathway is a positive thing. I love seeing early stages of sewing, because it gives me, as a teacher, information I need to know about what my students can do in this moment, and it reminds me to pay attention and document these expressions of ability so I can see and support the growth with appropriate challenges as the year progresses.

Building blocks have developmental stages to them because a child can simply pile all the blocks up, similar in appearance to a mountain seen from a distance, and call it a house. It’s once children start making deliberate decisions about which type of blocks to use, the size, shape, and color, that we see real advancement that also utilizes their fine motor muscles. The size, shape, and weight play a part in how children’s building and construction take on more advanced characteristics. As they continue to advance in their ability to construct, they add other materials such as dolls, dinosaurs, and loose parts, to name a few, making many more advances to their building constructions. When children develop to the stage of examining and discussing where to place certain blocks on a structure, they have entered higher-level thinking and more complex play. With block play, there are many things children learn, but we are sticking to the fine motor aspects, and every grab, turning, stacking, catching, and careful execution of placement is an example of fine motor skills in use. Yes, building/ constructing supports children’s future ability to print and write.

The pictures above are a small example of how fine motor muscle development and growth can be supported through a few different interest areas. Every step a child takes on the road of learning is a journey filled with reaching milestones. Development is growth, the physical growth all humans go through to engage in the tasks we do as we become adults, and for the remainder of our lives. Children need these early years to freely engage in tasks, projects, and creative expressions they are interested in, so they can be supported and appropriately challenged in the many areas of growth and development they go through. Fine motor muscles are just one area, and as we see with just small examples, there are many things children engage in that support the growth and development of skills they will need when they learn to print/ write abstract symbols. I am a firm believer that the anatomy of the hand, fingers, and wrist should be ready for printing and writing, and young children should not be forced to print and write before they are physically and cognitively ready. The process should be enjoyable from the start onwards.

See parts 1,2 & 4

A journey with The Marigold School of Early Learning

September 2025 Blog! #2

See parts 1,3 & 4

A journey with The Marigold School of Early Learning

September 2025 Blog: Fine Motor Development! Part #1

The Marigold School of Early Learning: Specifically Designed for Children Ages Three to Five
A journey with The Marigold School of Early Learning

Transitioning your little one to Preschool

The new school year brings some big life changes for many families who have young children. Deciding to enroll your child in a preschool program is most likely their first formal experience with other children. This is no light topic and not always an easy decision. With so many options to choose from when it comes to early learning programs, it can be a confusing and frustrating time. On the flip side, it can be an exciting and joyous time getting your child ready for this new life experience. When families have older children the younger ones have somewhat of an idea of what to expect and that evolves around new school clothes, shoes, backpacks, etc. When your child is the only one their fear of the unknown may be a bit greater. They have no real idea what new adventure they will be embarking on, so butterflies are fluttering in their tummies.

I am so happy with our group this year! The beginning of the school year is always a mix of excitement and joy for the new school season, but it is also wrapped with anxieties about the unknown! Transitioning from home life to school life is not always an easy journey for some little people, and they express their emotions readily. For others, it is an easier transition. Children are people with their own unique personalities and a jar full of complex emotions they are tapping into every day. For your child to understand their emotions they have to experience all those feelings and be allowed to work through them. As they work through their emotions they will learn how to manage them and take a giant step in their developmental journey to becoming more and more independent. This independence can be a wonderful and expected thing for many parents, yet it can also signal that your precious child is not an infant, baby, or toddler anymore. Those first and deeply special years have gone and your child is now a little person ready to find out what friends are all about. They are ready to practice their social skills and learn about the world away from home.

My goal is for your child to feel comfortable, safe, and happy at Marigold. I also want them to feel free to express their deep and complex emotions. When they are sad, frustrated, or angry, they should be able to express those feelings and know that it is okay to have them. We praise happiness and all its forms, so we must be okay with sadness as well. None of us, I would say, wants to see a child sad and frustrated with this transition from home life to school life, but it is okay and healthy for your child to express how they are feeling with this big life change. I have confidence in each of your children. I know the children having some separation anxiety now, will work through those feelings and find that the friends looking at them are kind, giving, and empathetic people. I love watching your child go from tears of hesitation to huge giggles of joy. Your child is a person and I respect they all have feelings that must be expressed in their own way and time. I just encourage those of you going through this difficult transition to please not give up on your child. Please keep supporting them and helping them with this developmental milestone.

The Marigold School of Early Learning will always be a school that loves and respects your child. If at any time I observe and come to the conclusion your child really does not enjoy being here and is not adjusting well, I will communicate that to you. We can continue to give your child time or we can decide that your child may need to wait another year before entering preschool. And of course, your child may just need a more structured learning environment rather than a Reggio Emilia-inspired school where your child has far more autonomy. I would like to think we could wait a year and try again because I am biased about my school. I feel my school has much more to offer your child with this approach to early education. Just know that I am here for you and want to work with all of you to make sure your child’s learning experiences here at Marigold are happy, magical, supportive, and empathetic. You all are a part of this community and every child adds their unique special qualities that we just cannot do without. So, If your child is struggling right now, please do not give up on them. They will get through this life transition. If you feel we need to meet in person, or email, or whatever way you feel most comfortable talking about your child’s difficulties with starting school please know I am available to offer as much support and educational and developmental advice as I can. Ms. Heidi

A journey with The Marigold School of Early Learning

Respect and Kindness Comes First: The Culture of A Private Early Learning School

A journey with The Marigold School of Early Learning

Finding The Right Early Learning Community